Erika Doss is a professor in the department of American studies at the University of Notre Dame, where she teaches courses in American, modern, and contemporary art and cultural studies. Her wide-ranging interests in American art and visual culture are reflected in the breadth of her publications, which include Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism (1991), Spirit Poles and Flying Pigs: Public Art and Cultural Democracy in American Communities (1995), Elvis Culture: Fans, Faith, and Image (1999), Twentieth-Century American Art (2002), and Memorial Mania: Public Feeling in America (2010). Her recent monographs include The Emotional Life of Contemporary Public Memorials: Towards a Theory of Temporary Memorials (2008). Doss is also the editor of Looking at Life Magazine (2001), a coeditor of the Culture America series for the University Press of Kansas, and a member of the editorial boards of Memory Studies, Public Art Dialogue, and Material Religion: The Journal of Objects, Art, and Belief. The recipient of several Fulbright awards, Doss has also held fellowships at the Stanford Humanities Center, the Georgia O’Keeffe Museum Research Center, and the Smithsonian American Art Museum. Her current research projects are "Spiritual Moderns: Twentieth-Century American Artists and Religion" and "I AM America: Art, Belief, and Ultra-Patriotism during the Great Depression."
- Lynching Memorials and Sites of Shame: Transforming Violence in American Commemorative Cultures
- Memorial Mania: Commemoration and Affect in Contemporary America
- Pictures of Feeling: Norman Rockwell's Affection for America
- Picturing New Deal America: Visual Art and National Identity, 1933–1945
- Public Feeling, Public Healing: Contemporary Memorials and the Mediation of Grief