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Table of Contents
OAH Magazine of History Copyright © |
Teaching Strategy "To Thee We Sing": Racial Politics and the Lincoln MemorialKeith EberlyIn 1939, Marian Anderson, world-renowned African American contralto, performed on the steps of the Lincoln Memorial to a crowd of 75,000 Americans. The memorial site, however, was selected only after the Daughters of the American Revolution (DAR) refused to let Anderson sing in its Constitution Hall. D.A.R., a patriotic women's service organization whose members traced their lineage back to the American Revolution, baldly declared that the hall was open to "white artists only" (1). The irony of such a policy for an organization committed to "extending the institutions of American freedom, fostering true patriotism, and securing for mankind all the blessings of liberty" was not lost on civil rights activists working in the D.C. area. The activists decided to make a point to not only D.A.R., but also the entire nation. The memorial became integral to this plan. As NAACP Director Walter White noted, Lincoln "would double the news value" of the event (2). White understood the power of the Lincoln myth. In the decades following the Civil War, a variety of American artists, politicians, and historians constructed a national myth that made Lincoln the embodiment of American idealsdemocracy, equality, and freedom (3). In 1939, civil rights activists used Lincoln's status as a preeminent symbol of American nationalism to publicize and invigorate their fight for racial justice. In the aftermath of numerous civil rights rallies and antiwar demonstrations in Washington, D.C. over the last seventy-five years, the national symbolism of the Lincoln Memorial might seem obvious today. But in 1939 the use of the memorial as part of a mass demonstration was a first. It illustrated the importance of an emerging civil rights tactic. African Americans used the memorial's "sacred" symbolism to highlight the nation's shortcomings and to demand justice for all citizens. As historian Scott Sandage argues, African Americans "exploited the ambiguities of cherished American values to circumvent opposition, unify coalitions, and legitimate black voices in national politics" (4). At the concert, Anderson herself made clear the political purpose of the event. She sang the patriotic classic "America," but with a twist. Instead of singing "My country tis of thee sweet land of liberty, of thee I sing," Anderson sang "My country tis of thee sweet land of liberty, to thee we sing." For Anderson, and millions of other African Americans, the Lincoln Memorial symbolized the promise, not the reality of freedom. After Anderson's concert, highlighting the hypocrisy of segregation and discrimination in front of the memorial became a common tactic in the fight for civil rights. Time and again African Americans asked the nation to justify the dissonance between the ideals Lincoln representeddemocracy, equality, and freedomand the reality of their lived experience. Using three memorial events--the 1922 dedication ceremony, the 1963 March on Washington, and the 1995 Million Man Marchthis teaching strategy examines the enduring relationship between the Lincoln Memorial and American racial politics. Indeed, as Warren Harding indicated in 1922, the memorial belonged to the present and the future as much as it belonged to the past. With its meaning and significance open to interpretation, the memorial became a site where African Americans demanded that the nation live up to Lincoln's ideals. National Standards
Objectives
Time
Procedures
B. Lecture: Use the Marian Anderson concert to introduce students to the relationship between the Lincoln Memorial and civil rights. Highlight for students the mass quality of the demonstration, Anderson's manipulation of the lyrics, DAR's hypocrisy, and Lincoln's mythic status as the embodiment of democracy, equality, and freedom. Teachers could also build on previous lessons by reminding students of the contrast between Lincoln's idealismSecond Inaugural Address, the Emancipation Proclamation, and/or the Gettysburg Addressand the African American lived-experience of segregation, discrimination, and violence in the decades following the Civil War. (10-15 minutes) C. After the lecture, show the entire class a clip of Harold Ickes introducing Marian Anderson before her concert at the memorial <http://www.youtube.com/watch?v=wYZoeMKkxkg> and a clip of Anderson's performance <http://www.youtube.com/watch?v=nhd-Q6tBkAQ&feature=related>. Have them answer the following questions while they watch the video clips. (5 minutes)
D. Divide students into nine groups (3 to 4 students per group). Distribute primary source materials. (Information about the location of these materials can be found on pages 55-56.) Each group should answer the guiding questions that correspond with their documents. As students work in their groups, the instructor can mingle among the groups to facilitate discussion and analysis. (10 minutes)
Group 3: Black press reaction
• 1963 March on Washington
Group 5: John L. Lewis original and final draft [download]
Group 6: Malcolm X, "Farce on Washington" and Excerpt from Autobiography of Malcolm X [download]
• 1995 Million Man March
Group 8: Bill Clinton's speech at University of Texas [download]
Group 9: New York Times editorials, Cornell West, "Why I'm Marching" [download] and R.W. Apple, Jr., "Ardor and Ambiguity" [download]
E. The three groups within each memorial moment should share their document questions and answers with each other. They should then prepare a class presentation that answers the following questions (10 minutes):
G. Conclusion/Homework: Have students write a 200-300 word essay that answers the following question: Was the Lincoln Memorial a symbol of national unity or division or both? Be sure to cite specific examples from the documents. (For a more in-depth homework assignment, make all the documents available to students and then require them to write a longer essay that incorporates all of them.) Endnotes
Primary Sources Text of Robert Russa Moton's dedication speech (original draft), May 30, 1922: Chicago Defender columns: [download] • 1963 March on Washington Text from John Lewis's original march speech, August 28, 1963: [download] Text of Malcolm X's "Message to the Grass Roots," [download] Detroit, November 10, 1963: <http://www.americanrhetoric.com/speeches/malcolmxgrassroots.htm>. • 1995 Million Man March Transcript of William J. Clinton's remarks at the University of Texas, [download] October 16, 1995: <http://www.presidency.ucsb.edu/ws/index.php?pid=50658&st=university+of+texas&st1=>. "Why I'm Marching in Washington," Cornell West, New York Times, October 14, 1995. Bibliography Fairclough, Adam. "Civil Rights and the Lincoln Memorial: The Censored Speeches of Robert R. Moton (1922) and John Lewis (1963)," Journal of Negro History 82 (Autumn, 1997): 408-16. Hufbauer, Benjamin. Presidential Temples: How Memorials and Libraries Shape Public Memory. Lawrence: University of Kansas Press, 2005. Peterson, Merrill D. Lincoln in American Memory. New York: Oxford University Press, 1991. Sandage, Scott A. "A Marble House Divided: The Lincoln Memorial, Civil Rights, and the Politics of Memory, 1939-1963." Journal of American History 80 (June 1993): 135-67. Schwartz, Barry. Abraham Lincoln and the Forge of National Memory. Chicago: University of Chicago Press, 2000.> Thomas, Christopher A. The Lincoln Memorial and American Life. Princeton: Princeton University Press, 2002. Keith Eberly taught secondary history in Nashville, Tennessee, for three years. He is a graduate student in the history department at Indiana University. His research focuses on Franklin D. Roosevelt and American memory. He currently works as the assistant editor of the OAH Magazine of History. |