Decolonial Affirmations of P’urhepechecidad: Queer and Feminist Interventions
Endorsed by Women and Social Movements in the United States,1600–2000
Thursday, March 31, 2022, 1:00 PM - 2:30 PM
Type: Virtual Session
Tags: Latino/a; LGBTQ History and Queer Studies; Native Americans and Indigenous Peoples
Pre-circulated session: Through poetry, performance and embodied testimonio, this roundtable will intervene in the conversation on P’urhepecha resurgence by centering the voices of queer and feminist P’urhepecha activists, artists and academics. The session will explore precolonial P’urhepecha beliefs about queerness were regulated through colonization, why silences around women’s bodily autonomy and queerness have existed and how contemporary queer and feminist P’urhepechas in the diaspora are decolonizing today’s conceptualization of P’urhepechecidad. Through various methods and mediums, including pole-dancing, poetry, performance, theory and testimonio (oral history), the session will make a critical intervention in the emerging field of transnational P’urhepecha Studies.
Chair and Presenter: Tiara Roxanne, Humanities theorist
Tiara Roxanne (PhD) is an Indigenous cyberfeminist, scholar and artist based in Berlin. Her research and artistic practice investigates the encounter between the Indigenous Body and AI. More particularly, she explores the colonial structure embedded within artificial intelligence learning systems in her writing and her performance art through textile. Currently her work is mediated through the color red. She received the Zora Neale Hurston Award from Naropa University in 2013 where she graduated from with her MFA. Under the supervision of Catherine Malabou, Tiara completed her dissertation, "Recovering Indigeneity: Territorial Dehiscence and Digital Immanence" in June 2019. Tiara has presented her work at Images Festival (Toronto), Squeaky Wheel Film and Media Art Center (NY), Trinity Square Video (Toronto), SOAS (London), SLU (Madrid), Transmediale (Berlin), Duke University (NC), re:publica (Berlin), Tech Open Air (Berlin), AMOQA (Athens), among others.
Presenter: Mario Alberto Gomez-Zamora, Latin American & Latinxs Studies, University of California at Santa Cruz
Mario Alberto Gómez-Zamora is a P’urhépecha-michoacano-migrant-queer-spirit. He grew up in Tangancícuaro, a small town in Michoacán, México. His maternal grandfather was one of the first braceros of his community in the 1940’s. Gomez-Zamora’s parents are immigrants, whose hard work as a painter and janitor in California have made place for him to achieve his dreams.
Gómez-Zamora is a first gen and English learner. He holds a bachelor’s degree in Secondary Education, with concentration in History from Normal Superior Juana de Asbaje, and a master’s degree in Education of History from Universidad Michoacana de San Nicolás de Hidalgo. Currently, he is a Ph.D. student in Latin American and Latinx Studies at the University of California, Santa Cruz. His research interests include, Local History, Oral Tradition, Memory, Alternative Teaching History, Transnational P’urhépecha Culture. His current work examines Sexuality and Gender identity among the P'urhépecha community in Michoacán, and in the United States.
In 2019, he received the competitive, five-year Eugene Cota-Robles fellowship. Recently, he was awarded a fellowship by Los Angeles Review of Books to join its summer workshops in creative writing and publishing.
Presenter: Suguey Hernandez, Independent consultant
Suguey is the granddaughter of Mexican Indigenous (P'urhepecha and Pirinda) farmers and the daughter of California migrant farmworkers. As a political strategist, she has more than a decade of civic engagement and labor organizing experience. Suguey's organizing victories include leading Power California’s field strategy and civic engagement campaigns to mobilize young voters of color. In 2018, during the historic midterm election, Power California and partners reached nearly 175,000 voters of color under her leadership. As a professional dancer, Suguey is committed to practicing radical self-love by engaging in dance and pole. “I find my freedom in an embodied praxis of self-love through dance. Pole gives me the pleasure and possibility to just BE in a society that hates me for being brown, femme/female, Mexican, Indigenous and queer.” Suguey holds a B.A. in Ethnic Studies from the University of California at Berkeley. She is an active practitioner of Indigenous spirituality through the Native American Church.
Presenter: Fabian Romero, University of Washington
Purepécha poet-scholar fabian romero was born in Michoacán, Mexico and raised in the Pacific Northwest. They co-founded and participated in several writing and performance groups including Hijas de Su Madre, Las Mamalogues, and Mixed Messages: Stories by People of Color. Their scholarship, poetry and experimental films are rooted in queer and immigrant experiences.
Their written work can be found in Troubling the Line: Trans and Genderqueer Poetry and Poetics, Untangling the Knot: Queer Voices on Marriage, Relationships & Identity, Writing the Walls Down: A Convergence of LGBTQ Voices and their self-published chapbook Mountains of Another Kind. romero earned a BA from The Evergreen State College with a focus in writing and social justice. They are currently a Doctoral student in the Gender, Women & Sexuality Studies Department at the University of Washington.